![]() ![]() Three main trends were identified and gained prominence in German postwar cinema during the 1920s. Organizational challenges and the creation of New Objectivity challenged the end of the decade. Technological updates were observed in the middle of the 1920s. The emergence of new genres in cinema occurred at the beginning of the 1920s. ![]() It is possible to divide the chapter into several meaningful sections. There was no competition with international markets, and filmmaking was based on real access to available resources. 2 One of the main reasons for its growth was the government’s ban on foreign movies and the necessity to focus on local companies and production. ![]() The authors underlined that despite the fact that the country suffered a number of serious economic, social, and political problems, its film industry was significantly developed. The situation in Germany after the events of World War I is the main topic of the chapter under analysis. ![]()
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